Customer Reviews
By
D. Mikels "It's always Happy Hour here" (Skunk Holler)
Okay. I admit it. Watching this Biblical epic, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would slide into a wickedly wonderful pattern of over-acting. ("Moses. . ." she would coo, "take me in your arms. . .") I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille's 4-plus hour epic, completely mesmerized and entertained. All of us know the story: a once-great Egyptian prince leads his true people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a great story, as four books of the Old Testament aptly, well, attest. Yet what makes this flick truly wonderful, impressive, and fun to watch, is the scope and grand scale of DeMille's 1956 epic--from the awesome vistas of Egypt, portrayed on a blue screen in some Hollywood studio, to the blatantly corny, often laughable, dialogue and actions of its characters (a distant reflection of the silent film icon who dominates this picture). Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector's Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood's alltime classics. Here, in the wonderful commentaries that accompany the film, "The Ten Commandments" student and author Katherine Orrison furnishes an incredible, interesting, and overwhelming avalanche of information. For instance: Did you know that DeMille's first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to fill out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn't want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the "King And I." Brynner looked "Egyptian"; he got the part, Holden was dispatched. And I loved the "diaper pen" disclosure of infant Fraser Heston, who, of course, is Charlton Heston's son, and who played the baby Moses. I've watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser's diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go back and correct. In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production--a se tback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is good stuff, and Orrison furnishes minute details of just about everything in spellbinding fashion. So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS still dominates the hallowed tier of epic lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector's edition, with its objective grasp of the facts, merely enhances the viewing experience. --D. Mikels, Author, WALK-ON
By
Benjamin J Burgraff (Las Vegas) (TOP 1000 REVIE WER) (VINE VOICE)
While Cecil B. DeMille's directorial skills were sometimes too rooted in the more grandiose style of the silent era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of "The Ten Commandments" is a whale of a show! Both pious and profane, posturing and sincere, it isn't great history, but it abounds in spectacle. While he was in poor health during the filming (suffering a seizure that was either a stroke or mild heart attack, while working under the 130-degree Egyptian sun), his distinctive 'style' was never more in evidence, with broad, overwrought performances, dazzling costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In 'classic' DeMille, there ARE no 'grays', everything is 'good' or 'evil', and 'evil' WILL be punished! Watching the film, you'll either e njoy the 'ride', or you'll groan, again and again. Personally, I love it, even with it's unintentional(?) campiness! Among my favorite 'so bad it's FUN' moments are 'Rameses' Yul Brynner and 'Nefretiri' Anne Baxter's frequent use of "Moses, Moses..." whenever he predicts something dire (Brynner looks like he can barely keep a straight face, uttering the phrase); 'Sephora' Yvonne De Carlo's stoic, yet impassioned pitch to Moses to marry her, always looking away ('into the future', I presume), when comparing her assets to Nefretiri's; 'Dathan' Edward G. Robinson's entire performance (nearly epic hamminess from one of America's finest film actors); Woody Strode's Ethiopian 'Princess' companion, who praises Moses' kindness with so much heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke's 'Sethi', turning an Egyptian Pharoah into a world-weary lovable executive-type (one can't help but wonder how Rameses could be HIS son!) Compare d to Baxter's scenery-chewing, and Brynner's posturing, Charlton Heston's portrayal of Moses is so understated that he's often been criticized as 'wooden' in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the astonishing 'Exodus' sequence, filling the screen, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses! The film has some very obvious merits; many of the special effects (particularly the 'Angel of Death' vapor, and the massive parting of the Red Sea) are still astonishing, today; Elmer Bernstein's score is an often 'over-the-top' joy to listen to; and the cast includes some very entertaining supporting players, including Nina Foch, Vincent Pric e, and DeMille's longtime associate, Henry Wilcoxon. Taken as spectacle, as a grand entertainment for the senses, "The Ten Commandments" is quite a show, and it's continued popularity over the past half-century is proof that many are still captivated by it. Cecil B. DeMille, master showman, knew his audience!
By
B. G. Carroll (Liverpool, England, UK) (REAL NAME)
Like many admirers of DeMille, I was delighted when this 50th Anniversary Edition appeared but then, profoundly disappointed with what it contains. This movie has had two previous DVD releases and to my eyes, the presentation here is not an improvement on earlier outings. Unlike Warners magnificent restoration of THE ADVENTURES OF ROBIN HOOD, GONE WITH THE WIND and WIZARD OF OZ (amng others) which were digitally restored, frame by frame, Paramount has merely assembled the best archive print it can and remixed the soundtrack. As for the "extras", surely a film which was in production & pre-production for almost 5 years & cost $13 million to make , had a ton of archive materials - photos, stills, memos, storyboards etc- that could have been included? The documentary seemed underproduced and cheaply done. Where was Debra Paget? Where was Nina Foch? Where was Yvonne De Carlo? All major players in the film and still very much alive! What great memories they would have had to share! Instead, we get an old interview with Heston and two minor bitpart players (one, Eugene Mazzola who played Ramses son, offers little as he was only 12 at the time!). And what about Clint Walker? Every time he makes an appearance as a guard (which is often), we are told this by the irritating commentator, a s though it was some momentous event - well, if so, why didn't they interview him? He's a nice guy & loves talking about his career. So, Paramount, I am giving the DVD set just 3 stars but only because it is good to finally have the silent version available at last. But given the fact that De Mille's own private archive is extensive and comprehensive I am surprised the De Mille Estate was not more fully involved in this. Three DVDs in a matter of 8 years seems to me to be milking the cow without any effort. Will there be a Super Collectors' Edition next year? If so, I hope it's an improvement on this! An opportunity missed!
By
Robin Simmons (Palm Springs area, CA United States) (VINE VOICE) (REAL NAME)
The second DVD release of Cecil B. DeMille's 1956 landmark film THE TEN COMMANDMENTS -- Special Collector's Edition (Paramount) has all the extras you expected from the first. Charlton Heston hears God's voice and obeys bringing law and light and freedom to slaves. Elmer Bernstein's terrific score, great production design, still nifty effects, a six-part production documentary and a highly detailed commentary make this one for the library.
By
Lugubrious DBB (Upper Sandusky, OH)
There is little I can say that will add to the discussion of Cecil B. DeMille's 1956 VistaVision classic "The Ten Commandments." Love it or hate it, it is impos sible to rank the film as anything less than a monumental chapter in the history of cinema. As for the DVD, the question posed is this: Is the new 50th Anniversary Edition worth the upgrade? The answer depends on your circumstances. If you have never purchased the film on DVD or own only the bare-bones 1999 DVD edition, then I would highly recommend picking up Paramount's newest release of the film. In addition to the 1956 classic (presented in anamorphic widescreen; note to Amazon.com editors: the aspect ratios of VistaVision films are 1.85:1, not 2.20:1 as claimed above), the DVD offers six featurettes detailing various aspects of the film's production, audio commentary by DeMille historian Katherine Orrison, and three trailers, including the 1956 "Making Of" trailer featuring DeMille himself. This three disc set also includes the first DVD release of DeMille's 1923 silent film version of "The Ten Commandments" in black and white and in its original Academy Standard (1.33: 1) aspect ratio; the film also features commentary by Orrison. However, if you own the 2004 Special Collector's Edition release, there is nothing in this set you do not already have, except for the silent film. There are no new special features in this set, and the transfer is identical to the 2004 release. If you own the 2004 DVD, I would recommend saving your money unless you are eager to own the original silent film. For those who do not own any DVD edition of "The Ten Commandments," I highly recommend picking up a copy of this set; it offers the best opportunity to view a true Hollywood masterpiece.
By
Matthew T. Weflen "Matthew Weflen" (Chicago, IL) (VINE VOICE) (REA L NAME)
**The Film** I'm not going to spend too much time here critiquing the movie. It's a perennial classic that most have seen at least parts of. Released in 1956 and directed by Cecil B. DeMille, it is also not a 'cinema verite' gorefest like many modern "swords and sandals" epics. It is peopled by characters who speak exclusively in dramatic flourishes, regardless of how illiterate or poor their characters are supposed to be. It takes liberties with some elements of the bible story (Moses' stutter and his Ethiopian wife are strangely absent, for instance). But for my money none of these are knocks on it - it is a classic through and through, and despite starting off a bit slowly, it picks up dramatic steam quickly and becomes quite a mesmerizing experience. The actors make their characters easy to care about, the visuals are sumptuous and engaging, the music is stirring, the story is solid. A s a film, it's an easy recommendation for anyone who enjoys historical or biblical epics, or just connoisseurs of classic movies. **The Blu-Ray** I purchased this (the 2-disc edition) based on its glowing pre-release reviews on major online review sites. So my expectations were high, to say the least. I was expecting nothing less than a Grand Slam HD experience. So what did I get? I'm happy to say: A Grand Slam HD experience. You'll know you're in for a treat when the Overture begins. The backdrop looks just like leather - the sheen and texture are so finely presented that it's easily visible, even from a relatively far viewing distance. Things just keep getting better from there. Colors are out-of-this-world gorgeous. Fine detail is excellent, especially on the intricate Egyptian costumes and cloth textures. Black levels are strong, deep, and consistent throughout. There is a nearly three-dimensional quality to the image, especially in darker scenes, probably because of this combination of color, high contrast, and detail. At its best, it easily bests every other Blu-Ray transfer I've seen from a period film (examples I own include North By Northwest, Gone With the Wind, Wizard Of Oz, Bridge on the River Kwai, and the execrable Spartacus video transfer. TTC beats them all quite handily). This transfer should quiet any critics who think classic films can't look good in HD (Those still laboring under this misapprehension should google some DVD/Blu-Ray comparison shots of this film). The fact that the VistaVision film was scanned at 6k resolution should indicate to anyone that there is more than enough information present to make a 1080p transfer "worth it." This 1080p presentation seems essentially perfect. Film grain is light and consistent. No undue edge enhancement or DNR seems evident. I can't even fathom this looking better than it does. Now, all that said, you should know that some of the original optical effects show their seams pre tty easily in HD. Blue-screen process shots in the background are painfully evident. But this is what the film looked like when it was shown in theaters. I for one prefer an accurate record of the original effects to any digital monkeying around that a George Lucas type might perpetrate. The sound is a DTS-MA 5.1 channel mix that does the job very well. Dialogue is clear and distinct. The music score sounds lovely. Surround channels only get a slight workout, mostly on storms, special effects, and so on. The only extras on the 2 disc edition are a commentary and some vintage trailers and publicity reels. The trailers, all in HD, are neat in and of themselves, especially the long form trailer in which DeMille discusses the research and themes involved in the movie. But I have to say, this commentary (by Katherine Orrison, who literally wrote the book on this movie - Written in Stone: Making Cecil B. DeMille's Epic The Ten Commandments) is quite engaging and interesting. Orr ison provides a wealth of information about the production of the film, and is almost never silent throughout the entire run time. Conclusion: Simply put, if you are a fan of epic films, this is a must own. You'll get dozens of viewings out of it. It is unfailingly absorbing. If you are a fan of classic movies, they don't get much more classic. Buy this and "Gone With The Wind," and get ready for a 7-hour marathon. But beyond both of these reasons - if you are a fan of great HD, this can't be beat. It is a towering achievement in digital mastering, and hopefully it will shame other studios into treating their own classic properties with the same respect.
By
Robert Eric Reiss (Poway, California)
The Ten Commandments is terrific family entertainm ent...my daughter and I just watched this classic on Easter Sunday, on the new DVD format. While this film is some 40+ years old now and many of the special effects pale in comparison to today's computer aided graphic effects, the Ten Commandments remains an impressive film with its lavish sets, costumes and cast of thousands. It was especially interesting to watch the parting of the Red Sea sequences in slow motion through the DVD controls. Also try the slow motion controls when Moses brings the Red Sea crashing down upon Pharaoh's chariots. These are great effects done in the 1950s...one can only imagine what DeMille would have done with today's technological wizardry. Charlton Heston maintains a commanding prescence throughout the story, while Yul Brynner coldly portrays Moses' heart hardened alter-ego, Pharaoh Ramses. Edward G. Robinson portrays the despicable, lecherous and traitorous Dathan (why the Israelites let Dathan join them in the Exodus...I'll never know.). Loo k for other established actors such as Anne Baxter, Yvonne DeCarlo, Vincent Price and John Derek (wasn't he married to Bo?) While the movie itself is a masterpiece, I was somewhat disappointed that there were not more special features included in the DVD version. It would have been great to have some audio commentary by Charlton Heston, interviews, behind the scenes info, and any deleted scenes. Still, any fan of epics and/or biblical stories will not be disappointed by the Ten Commandments on DVD format.
By A Customer
Great lengths have been given to restore a truly classic and epic movie, The Ten Commandments, starring Charlton Heston and the late Yul Brynner. Though the move is dated from 1956, the beauty and clarity are beyond expectation. I have enjoyed this movie since my youngest days -I'm 50. With the DVD, gone are the flat, dulled images that made a truly great movie, only an &q uot;Ok" one. I am not sure (the packaging does not indicate) but I believe this DVD version may be taken off the restoration version in 1989 - perhaps someone can clarify that question. In any event, version has made an old move rise very close to today's quality and demands by avid movie connoisseurs. The DVD version has also made the special effects and colors very, very impressive, bringing out everything from the richest blues, golds and greens, to warmest reds, browns, and skin tones - with no flat appearances typical with VHS. As is typical with DVDs, there is not the jitteriness or graininess that is often associated with VHS. The sound is also crisp, deep, and clear, no longer muffled and drowned out by years of use and re-releases. As a benefit, the music score by Elmer Bernstein is once again powerful and very compelling. Cecil B. DeMille would smile in his grave - hopefully in heaven - if he beheld the wonderful work that went into this newest release of The Ten Commandments. Today, movies goers, especially those who have never laid eyes on this classic, will thoroughly enjoy this. Paramount is not noted for doing justice to DVD versions of their movies - including director-type versions with commentaries. This DVD version has three trailers for its feature and no commentaries. This too, is unfortunate. However, I still highly recommend this DVD to all lovers of truly good films. This movie brings back the excitement and joy it was meant to have, and it will be one that a viewer or viewers can cherish time and time again, not only for the story line and acting, but how this version makes it seem more like it was shot on location, rather than just in studio stages. I give five stars.
By A Customer
I was hesitant to review this dvd since, in every credible theologian's view, a fundamentalist approach to the Bible, ignorant of ancient and medie val civilizations and their languages, leads to erroneous interpretations (for example, errors that today are being used to justify discrimination against gays and lesbians and their families, and which, until rather recently, were used to condone racism, segregation and slavery.) But I believe DeMille, The Ten Commandments' producer and director, and the son of a lay Episcopal minister, believed the Bible is the inerrant word of God AND that a historical-critical approach is necessary to understand it (as most mainline churches do, in spite of their often inconsistent stance on gay marriage). The fact that in The Ten Commandments, the Red Sea, not a 'sea of reeds' (a correct translation), parts, is perhaps an example of artistic license.
In a sense, The Ten Commandments is DeMille's Biblical commentary. It's a swan song (DeMille nearly died making it), and a real labour of love (DeMille gave away all of his profits to the cast and crew).
Perhaps first and foremost, The Ten Commandments is great propaganda for democracy (albeit from the Cold War era). Through it DeMille sought to help unite Jews, Christians and Muslims. It argues that all persons are equal and should be 'free', regardless of 'race', ethnicity or 'creed'. It even alludes to the fact that according to the Bible, Moses married an Ethiopian princess (a somewhat daring reference during the segregated '50s).
STYLE & INFLUENCE: It's arguably one of the most spectacular, entertaining and influential films ever made. At Lucasfilm, a poster for it has hung on the wall for many years, and one can easily see the movie's influence not only on Biblical films of the '50s and '60s, but also the Star Wars movies, Close Encounters of the Third Kind, Raiders of the Lost Arc and numerous other science fiction and fantasy films. Director Michael Powell considered DeMille the greatest magician in film history.
Perhaps the most under-rated aspect of The Ten Commandments is its production des ign: a marvelous hybrid of art deco and nineteenth century and ancient Egyptian art. Viewing The Ten Commandments is a bit like stepping into a painting by Alma-Tadema or a Pre-Raphaelite, or a book illustration by Dorè, and having the artwork come to life.
The score, by Elmer Bernstein, is extraordinary. It's part of the very essence of the film, and uses leitmotiv beautifully.
TRANSFER: It's excellent, and the next best thing to seeing the movie on a big screen. The colours are very rich and vibrant, and the sound, originally recorded with cutting edge stereo equipment, is nicely remastered and restored.
EXTRAS: I'm SO glad I ordered the most recent dvd release (2004), containing a commentary by Katherine Orrison and a six-part documentary about the 'making of'. Both are extremely informative and entertaining. The latter features interviews with surviving cast and crew, as well as DeMille's granddaughter.
Five stars for the film, five for the transfer, and five for the commentary and documentary!
By
Christian Lehrer "Christian Lehrer" (Bay Point, CA) (REAL NAME)
A previous reviewer from New York had a question about the correct aspect ratio for "The Ten Commandments". It was actually shot at about 1:75:1, Amazon.com's review is giving it as 1:78:1 which is basically the same as far as the eye can see and looks correct on my moniter. This ratio allows sufficient expanse for DeMille's epic, but allows the picture to be cropped and framed for TV without losing half the picture! Having actually visited some of the filming locations in Egypt makes this wonderful film more thrilling every time I watch it.
I found the sound ok , but at times I thought my now ancient laserdisc actually gave the score a little more punch. The picture was another matter. It was excellent, sharp and detailed with almost no marks on the print. Colors were rich and vibrant, fleshtones were more accurate. Extras are dissapointing. Only three trailers from the movie. No running commentary, no interviews, not even cast and production notes! Picture gets an A, sound gets a B, but extras get a C. Still, a wonderful film comes to DVD. Thanks, CAL
| ![The Ten Commandments (Two-Disc Special Edition) [Blu-ray]](http://ecx.images-amazon.com/images/I/51mf90xse8L.jpg._SL300_.jpg)
No comments:
Post a Comment